Issue 2:2 | Poetry | Janisse Ray
6 Poems |
I’ll pay more attention.
I’ll write down glimpses
of coyote and emerald-backed insects.
Every January a new bird list:
Carolina wren, chickadee,
O beautiful arrow of cardinal
glanced at the apple.
I’ll build a blind to watch
wild turkeys, deer come to salt.
Mapping, I’ll leave places
unnamed. I’ll memorize binomials
of the grasses. And buy
a ring gauge to collect sinking sky.
I’ll sling a hammock and read
more, maybe kill a deer
one fall. I’ll plant rosemary,
moonflower; I’ll go outside
summer nights when heat lightning
rips open the pink-orange
clouds. I’ll look for moons,
and plot Jupiter’s, before bed,
desiring patterns. First frost,
last. Sandhill cranes passing
overhead, and the mating of anoles.
I’ll walk deliberately, more quietly,
discover more of what rises
and falls. Length of night.
What a year is like.
What better to be
than a particular body of knowledge,
dancing the branch, dancing
pine and field, dancing
this laboriously hallowed ground?
Let them have their oil.
Let them have their mosques and holy books,
and the sun gleaming on the face of a woman
kneeling for the fifth time to pray.
Let her have the baby in her arms.
Let her bring from market the lentils, the lamb,
the bouquet of cilantro, piquant and exciting,
that tastes like the dusty grain of house-walls
bordering the street.
Let her have the woven rug red and blue
beneath her real feet.
Let her have the pot, and the wooden ladle,
and the quiet, happy ticking of a clock she no longer
notices.
Let her have the common bird singing from the olive
and the sound of a door opening as it should.
And let me have my farm.
Let me have small clouds of breath
as I rise into the winter house.
Let me have a fallen maple for firewood
and the fire itself an eager bed of coals.
Let me have bowls of oatmeal and cups of tea
sweetened with honey
steaming on the enamel table.
Let me have my husband pulling on boots
to plant potatoes, while the moon
rests in the sign for roots.
Let me have brown eggs
still warm from the hens.
Let me have the common bird singing from the oak
and the sound of a door opening as it should.
It was an evening after hard work all day.
My love wanted to walk through the pasture
past the bog
looking for dewberries.
Pitcher plants were blooming – blooming!
and in a scrubby copse, a newborn calf
lay in its leaf-creche, being licked
alive!
The dewberries among thorned vines
shone darker than nightfall, they
were sweet.
He fed me and I him.
When we stepped into the far pasture the dog
went chasing after the herd of cows
that before her stampeded this way
then that
like a cloak of cedar waxwings
lofted into sky.
We hemmed the woods,
toward the watering hole dug before I was born.
Behind the hole the woods open
to a bottomless head, where the creek
braids through quick-sand:
my father once plunged a cane pole
twenty feet.
I never go in but stand under the water oaks
Listening to bullfrogs
squawk and plop into dark water.
This particular evening
a skein of meteors spun
through the red maple and the tulip poplar,
entering, burning out, reentering.
Fireflies! Hundreds! Like I hadn’t seen
since a girl, barefoot
in skirts, even then paused
at an edge.
They carried their tiny blinking lanterns, searching
high and low for beloveds
who waited in the dimness
without announcement.
Any other woods we might not
have seen them. Or any other night.
The secret dwelling place of fireflies
has been found!
Above ground that could swallow a truck
and not a bumper left showing.
A curtain between two worlds opens,
two people stand, mouths strong
with extract of dewberry,
looking into unenterable woods, knowing
they have at last arrived
as far as is possible to go.
Where does its fire go
when a monarch dies?
Does it vanish
in smoke,
or turn suddenly to rain?
Does it lay dead
against a mountainside
transforming placidly
to dirt,
which will harbor in its richness
millions of small burning ships
sailing a deep-green forest,
never to be seen?
Or does the fire seep
into the ground,
running in rivulets
toward the blazing core
of the earth,
one day to return:
a volcano spewing wings?
The strange third step trips you
and how the weight shifts from foot to foot
until I squat and plant them for you, counting
one two-three, one two-three.
You grab for the refrigerator, then for the stove.
Watch my feet, I say.
A magnificent violin sweeps the house
with music that ties wings to my heart
while you lurch and pull in my arms.
I’m stepping on your toes, you say.
I told you I can’t dance.
If every day that passes I search ceaselessly
for one beautiful string of words
that is the call of passion, not reason,
it would never match the soaring grace of cello,
thousands of little birds fluttering around us,
And so I drag you past the table
where we eat our meals, you on the left
into the space beside the sofa,
where we sit perusing maps.
I hold you tight in an aviary of harp.
Let’s don’t count, I say,
forget about the feet.
Look me in the eyes: There.
In that moment you are waltzing with me
waltzing as if our bodies have been dancing together
for a sadness of years without our knowing it,
maybe in sleep, or in some life not this one –
or as if everyman I ever danced with
guided me around an immense and confusing hall
until I came to you.
In that first waltz are the years to come
and our precious allotment of nights,
tiny flares of lightning in the sky before daybreak,
and a yellow stripe of butterfly
gliding below the window.
In it too an abundance of pears
and long shadows of tenderness.
One more thing we thought impossible
Has been proven so.
Bright with history, the birds
Nest in the syrup shelter, in woodshed,
In coral honeysuckle
Enwinding the gray fence.
A nuthatch enters the oak that spilled
Last summer’s storm, collapsing the smokehouse.
I am torn between saving the corn crib
With its powdery, peg-ended logs,
Or starting anew,
Wrens in a rusty coffee can.
Pileated, your head inextinguishable
As the spark of my grandmother:
Can you tell me what this land
Was like back then, before the world began?
Towhee, your bib a clod of earth –
This earth, these fields –
have your wings fanned each day
aflame?
We think history ends
when the elders die: ask the woodpecker to hush
her laughing. Nothing belongs to us.
I have tried to keep what I could:
in a shelf-tin, between chunks of fiddle resin,
flint points my uncles brought in from the fields.
Tell me, kestrel, how they got there.
Surely you know by heart.
I am the middle daughter
of my grandfather’s silence.
Swallow-tailed kite, you who keep
account of the generations.
Pass down their lost stories:
the sun and the forest,
the boredom of the creek, all things
intended to last.