I n the leaf-change of October
2008, Rob Merritt, Joe Champagne, and I packed our pens, pads, cameras, and
video equipment and headed up Highway 58 to the Cumberland Gap, to spend the
day with the Appalachian author Silas House.
Prior to our visit, I had read Clay’s Quilt and A Parchment of Leaves and knew of Mr. House’s interest in
generating regional pride through narrative tales honest to lived-experience in
the southern mountains. But it
wasn’t until Rob and I saw Mr. House speak at the Appalachian Studies
Association Conference at Marshall University in spring of 2008 that confirmed
him as our choice to be the Featured Artists for Issue 4:01 of Nantahala. We were, as most people who hear Silas House read or speak,
immediately struck by three aspects of his character: 1) his passionate dedication
to raising critical awareness of Mountain Top Removal, 2) his natural
inclination to tell stories, and 3) his authentic southern Appalachian
dialect. It was these three
aspects that confirmed in our minds that we needed to interview Silas House on
video and share his regional vision and literary craft with Nantahala readers.
The interview stays true to the three
aspects that drew us to Silas House in the first place: it includes comments about
his desire to create, through fiction, a sense of regional pride, his thoughts
on how he, as a writer, handles political issues, such as Mountain Top Removal,
in narrative form, and his views on “craft” problems, such as how to write
dialect without making the prose sound like a “Hee-Haw script”—all
essential concerns for anyone interested in writing or studying Appalachian
literature.
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